"Film / Video"
| Begriff | Film / Video |
| Metakey | Typ des Projekts/Werks (creative_work:type) |
| Typ | Keyword |
| Vokabular | Werk |
117 Inhalte
- Seite 1 von 10
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- About Fighting the Fear (of the World) - Installation
- Titel (en)
- About Fighting the Fear (of the World)
- Autor/in
- Beschreibung (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Beschreibung (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 22.02.2024
- Mitwirkende
- Dank an
- Sprache
- Untertitel (Film)
- Material
- Technik/Verfahren/Formate
- MP4
- Abmessungen
- 2500 x 1080 px
- Dauer
- 26 min
- Ort: Institution
- Ort
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- Stadt
- Land
- Titel
- About Fighting the Fear (of the World) - Installation
- Urheberrechtshinweis
- Janosch Bela Kratz
- Freigabe Nutzung HfG
- Medienersteller/in
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.03.2024
- Übergeordnete Sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- About Fighting the Fear (of the World) - Installation
- Titel (en)
- About Fighting the Fear (of the World)
- Autor/in
- Beschreibung (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Beschreibung (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 22.02.2024
- Mitwirkende
- Dank an
- Sprache
- Untertitel (Film)
- Material
- Technik/Verfahren/Formate
- MP4
- Abmessungen
- 2500 x 1080 px
- Dauer
- 26 min
- Ort: Institution
- Ort
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- Stadt
- Land
- Titel
- About Fighting the Fear (of the World) - Installation
- Urheberrechtshinweis
- Janosch Bela Kratz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.03.2024
- Übergeordnete Sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- About Fighting the Fear (of the World) - Installation
- Titel (en)
- About Fighting the Fear (of the World)
- Autor/in
- Beschreibung (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Beschreibung (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 22.02.2024
- Mitwirkende
- Dank an
- Sprache
- Untertitel (Film)
- Material
- Technik/Verfahren/Formate
- MP4
- Abmessungen
- 2500 x 1080 px
- Dauer
- 26 min
- Ort: Institution
- Ort
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- Stadt
- Land
- Titel
- About Fighting the Fear (of the World) - Installation
- Urheberrechtshinweis
- Janosch Bela Kratz
- Freigabe Nutzung HfG
- Medienersteller/in
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.03.2024
- Übergeordnete Sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- About Fighting the Fear (of the World) - Installation
- Titel (en)
- About Fighting the Fear (of the World)
- Autor/in
- Beschreibung (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Beschreibung (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 22.02.2024
- Mitwirkende
- Dank an
- Sprache
- Untertitel (Film)
- Material
- Technik/Verfahren/Formate
- MP4
- Abmessungen
- 2500 x 1080 px
- Dauer
- 26 min
- Ort: Institution
- Ort
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- Stadt
- Land
- Titel
- About Fighting the Fear (of the World) - Installation
- Urheberrechtshinweis
- Janosch Bela Kratz
- Freigabe Nutzung HfG
- Medienersteller/in
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.03.2024
- Übergeordnete Sets
- 1