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Ghosts of Grand Hotels
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghosts of Grand Hotels
- Autor/in
- Beschreibung (de)
- Geister von Grand Hotels
Willkommen im Grand Hotel, liebe Passagiere! Das Reisebüro Ghostly Matters bietet Ihnen eine saisonale Fahrt durch die weite, unheilvolle Landschaft des Schwarzwalds mitten in das Herz eines ehemaligen Grandhotels: Waldlust. Seine offenen Türen verbreiten den einzigartigen Duft von Urlaub, Klassizismus, Kunst und Luxus. Entdecken Sie mit uns die unerzählten Erzählungen seiner Wände, Möbel, Küche, Mitarbeiter und Gäste, die das Internationale mit dem Lokalen verbinden. Welche Spuren hinterlassen sich nach dem Verlassen der Zimmer im Hotel? Unser Team empfängt Sie am 5. Juli in Freudenstadt zu einem außergewöhnlichen Besuch der Ausstellungsstätte Waldlust. Die kommende Ausstellung ist die Fortsetzung einer kritischen und spielerischen Auseinandersetzung mit dem Erbe und dem zeitgenössischen Status von Grand Hotels. Welche Geister verfolgen uns in den Räumen des klassizistischen und kolonialen Luxus, in den Kammern der Fürsorge und Gastfreundschaft und in den Treffpunkten von Künstlern und wohlhabendem Bürgertum? Welche Zukünfte könnten aus einem Pool verschiedener Zeitlichkeiten entstehen? Die Ausstellung ist eine Kooperation zwischen Waldlust e.V., HfG Karlsruhe, ABK Stuttgart und Hochschule Offenburg.
- Geister von Grand Hotels
- Beschreibung (en)
- Ghosts of Grand Hotels
Welcome to Grand Hotel, dear passengers! The travel agency Ghostly Matters offers you a seasonal ride through the vast, ominous landscape of the Black Forest right into the heart of a former Grand Hotel: Waldlust. Its open doors are spreading the unique odor of holidays, classism, art and luxury. Discover with us the untold narratives of its walls, furniture, kitchen, employees and guests, that merged the international and the local. Which traces are inscribed in the hotel after the rooms are left? Our Team will welcome you on the 5th of July in Freudenstadt for a remarkable visit to the exhibition setting at Waldlust. The upcoming exhibition is the continuation of a critical and playful exploration on the legacy and contemporary status of grand hotels. Which ghosts are haunting us in the spaces of classicist and colonial luxury, the chambers of care work and hospitality and meeting places of artists and wealthy bourgeoisie? Which futures could emerge out of a pool combining various temporalities? The exhibition is a collaboration between Waldlust e.V., HfG Karlsruhe, ABK Stuttgart and Hochschule Offenburg.
- Ghosts of Grand Hotels
- Kategorie
- Typ des Projekts/Werks
- Datierung
- 25.04.2024 - 31.07.2024
- Mitwirkende
- Ort: Institution
- Ort
- Hotel Waldlust, Freudenstadt
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ghosts of Grand Hotels
- Titel (en)
- Ghosts of Grand Hotels
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Lehrveranstaltung
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 1
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Ghost Story
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ghost Story
- Autor/in
- Datierung
- 18.04.2024
- Titel
- Ghost Story
- Urheberrechtshinweis
- ©Huiyeon Yun
- Medienersteller/in
- Medien-Beschreibung (en)
-
The project was born in response to the passing of an unaccompanied homeless individual in 2018, a person without known family or friends. Her death was cataloged—reduced to data archived in newsrooms and on digital servers. Yet, if this data remains untouched, and her memory fades into obscurity, does her existence persist? She lingers and remains unseen—a paradoxical state of both presence and absence. Within the digital void, she exists as a spectral trace, haunting the silence, waiting to be rediscovered, forever closed in on herself.
Such is the nature of ghosts—the living create them. We resurrect the departed in our own ways, through rituals, texts, and the intangible recipes of memory. We read, we create, we consume, and through this, we invite the dead to inhabit us once more. This project is an assemblage of fragments—an exploration of the processes through which we become haunted by the past.
-
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 25.09.2024
- Übergeordnete Sets
- 0
Gideon Bachmanns Tonbandgerät läuft noch
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Gideon Bachmanns Tonbandgerät läuft noch
- Titel
- Gideon Bachmanns Tonbandgerät läuft noch
- Urheberrechtshinweis
- Christian Haardt
- Importiert am
- 20.02.2019
- Übergeordnete Sets
- 0
Gläser eingemachten Obsts und Gemüses
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Gläser eingemachten Obsts und Gemüses
- Autor/in
- Kategorie
- Titel
- Gläser eingemachten Obsts und Gemüses
- Titel (en)
- jars of preserved fruit and vegetables
- Urheberrechtshinweis
- ©Leonie Mühlen
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansicht der 40 Gläser eingemachtes Obst und Gemüse
- Medien-Beschreibung (en)
- View of the 40 jars of preserved fruit and vegetables
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 17.06.2024
- Übergeordnete Sets
- 1