Medienobjekt
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no wind no word
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- no wind no word
- Schlagworte
- Datierung
- 17.12.25
- Titel
- no wind no word
- Urheberrechtshinweis
- ©Mia Ferrari
- Medienersteller/in
- Abgebildete Personen
- Alternativ-Text (en)
- twelve-minute three-channel video and sound installation, choreography
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
no wind no word
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- no wind no word
- Schlagworte
- Datierung
- 17.12.25
- Titel
- no wind no word
- Urheberrechtshinweis
- ©Mia Ferrari
- Medienersteller/in
- Abgebildete Personen
- Alternativ-Text (en)
- twelve-minute three-channel video and sound installation, choreography
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
no wind no word
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- no wind no word
- Schlagworte
- Datierung
- 17.12.25
- Titel
- no wind no word
- Urheberrechtshinweis
- ©Mia Ferrari
- Medienersteller/in
- Abgebildete Personen
- Alternativ-Text (en)
- twelve-minute three-channel video and sound installation, choreography
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
no wind no word
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- no wind no word
- Schlagworte
- Datierung
- 17.12.25
- Titel
- no wind no word
- Urheberrechtshinweis
- ©Mia Ferrari
- Medienersteller/in
- Abgebildete Personen
- Alternativ-Text (en)
- twelve-minute three-channel video and sound installation, choreography
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
no wind no word
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- no wind no word
- Schlagworte
- Datierung
- 17.12.25
- Titel
- no wind no word
- Urheberrechtshinweis
- ©Mia Ferrari
- Medienersteller/in
- Abgebildete Personen
- Alternativ-Text (en)
- twelve-minute three-channel video and sound installation, choreography
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
Inhaltsverzeichnis
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Author that can easily go onto 2 lines as well
- Titel
- Inhaltsverzeichnis
- Titel
- Inhaltsverzeichnis
- Titel (en)
- Table of contents
- Urheberrechtshinweis
- © Beria Altinoluk
- Rechtsschutz/Lizenz
- Medienersteller/in
- Beziehung/Funktion
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
The Arbiter, video excerpt
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Author that can easily go onto 2 lines as well
- Titel
- The Arbiter, video excerpt
- Titel
- The Arbiter, video excerpt
- Urheberrechtshinweis
- ©Anna Manankina
- Medien-Beschreibung (en)
- In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
The Arbiter, video excerpt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- The Arbiter, video excerpt
- Titel
- The Arbiter, video excerpt
- Urheberrechtshinweis
- ©Anna Manankina
- Medien-Beschreibung
- In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
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Author that can easily go onto 2 lines as well
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Urheberrechtshinweis
- © Anna Manankina
- Medienersteller/in
- Importiert am
- 27.06.2026
- Übergeordnete Sets
- 1
Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Urheberrechtshinweis
- Anna Manankina©
- Abgebildete Personen
- Importiert am
- 27.06.2026
- Übergeordnete Sets
- 1
Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Titel
- Exhibition "Frameworks of Fiction", Kunsthalle Mannheim
- Urheberrechtshinweis
- Anna Manankina©
- Medienersteller/in
- Importiert am
- 26.06.2026
- Übergeordnete Sets
- 1
Ausstellungsansicht Unsichtbares Sichtbar Machen
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Author that can easily go onto 2 lines as well
- Titel
- Ausstellungsansicht Unsichtbares Sichtbar Machen
- Titel
- Ausstellungsansicht Unsichtbares Sichtbar Machen
- Titel (en)
- Exhibition View: Making the Invisible Visible
- Urheberrechtshinweis
- © Alexander Johl, Edona Ibrahimi
- Rechtsschutz/Lizenz
- Medienersteller/in
- Alternativ-Text (de)
- Zwei Menschen mit FFP2 Masken sind zu sehen, welche Handys in der Hand halten und in ein Mikro sprechen.
- Alternativ-Text (en)
- Two people wearing FFP2 masks can be seen holding cell phones and speaking into a microphone.
- Importiert am
- 26.06.2026
- Übergeordnete Sets
- 1