"Alle Rechte vorbehalten"
| Begriff | Alle Rechte vorbehalten |
| Metakey | Rechtsschutz/Lizenz (rights:licence) |
| Typ | Keyword |
| Vokabular | Rechte |
1531 Inhalte
- Seite 1 von 128
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
dying one_Ausschnitt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- dying one_Ausschnitt
- Titel (en)
- a staged performance at a place no longer quiet
- Untertitel des Projekts/Werks (en)
- Snippet(!) of one of the installation's five videos
- Autor/in
- Schlagworte
- Datierung
- 06.12.2023
- Sprache
- Ort: Institution
- Stadt
- Land
- Titel
- dying one_Ausschnitt
- Titel (en)
- dying one_snippet
- Urheberrechtshinweis
- © Jonathan Blaschke
- Rechtsschutz/Lizenz
- Medienersteller/in
- Medien-Beschreibung
- Dauer: 2:19 Minuten, Format: mp4
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 15.02.2024
- Übergeordnete Sets
- 1
Einleitung zur Ausstellung
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Einleitung zur Ausstellung
- Autor/in
- Kategorie
- Schlagworte
- Datierung
- 24.10.2024
- Titel
- Einleitung zur Ausstellung
- Titel (en)
- Introduction to the exhibition
- Urheberrechtshinweis
- © Joshua Weber
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Die Objekte der Ausstellung und ihr Erlebnis
- Medien-Beschreibung (en)
- The objects of the exhibition and the experience
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.11.2024
- Übergeordnete Sets
- 1
Endresultat "Die Inseln" 01
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Endresultat "Die Inseln" 01
- Autor/in
- Kategorie
- Titel
- Endresultat "Die Inseln" 01
- Urheberrechtshinweis
- © Yinxuan Chen
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 14.11.2024
- Übergeordnete Sets
- 1
Endresultat "Die Inseln" 02
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Endresultat "Die Inseln" 02
- Autor/in
- Kategorie
- Titel
- Endresultat "Die Inseln" 02
- Urheberrechtshinweis
- © Yinxuan Chen
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 14.11.2024
- Übergeordnete Sets
- 1
Endresultat "Die Inseln" 03
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Endresultat "Die Inseln" 03
- Autor/in
- Kategorie
- Titel
- Endresultat "Die Inseln" 03
- Urheberrechtshinweis
- © Yinxuan Chen
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 14.11.2024
- Übergeordnete Sets
- 1
Epilogue to a staged performance at a place no longer quiet_01
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Epilogue to a staged performance at a place no longer quiet_01
- Untertitel
- Publikation zur Ausstellung "a staged performance at a place no longer quiet"
- Autor/in
- Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Kategorie
- Typ des Projekts/Werks
- Mitwirkende
- Abmessungen
- 18,5 x 30cm
- Ort: Institution
- Stadt
- Land
- Titel
- Epilogue to a staged performance at a place no longer quiet_01
- Urheberrechtshinweis
- © Jonathan Blaschke
- Rechtsschutz/Lizenz
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Die Publikation zu meiner Ausstellung dient nicht als Erklärung, sondern als Erweiterung meiner gezeigten Arbeit. Gedruckt auf altem Papier und mit Klammerheftung erinnert die Publikation an die Offenlegung der Strukturelemente der Narration und Immersion in meiner Ausstellung. Die Texte sind erweiterte Fragmente der Monologe der animierten Figuren.
- Medien-Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 16.02.2024
- Übergeordnete Sets
- 1
Epilogue to a staged performance at a place no longer quiet_02
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Epilogue to a staged performance at a place no longer quiet_02
- Untertitel
- Publikation zur Ausstellung "a staged performance at a place no longer quiet"
- Autor/in
- Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Kategorie
- Typ des Projekts/Werks
- Mitwirkende
- Abmessungen
- 18,5 x 30cm
- Ort: Institution
- Stadt
- Land
- Titel
- Epilogue to a staged performance at a place no longer quiet_02
- Urheberrechtshinweis
- © Jonathan Blaschke
- Rechtsschutz/Lizenz
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Die Publikation zu meiner Ausstellung dient nicht als Erklärung, sondern als Erweiterung meiner gezeigten Arbeit. Gedruckt auf altem Papier und mit Klammerheftung erinnert die Publikation an die Offenlegung der Strukturelemente der Narration und Immersion in meiner Ausstellung. Die Texte sind erweiterte Fragmente der Monologe der animierten Figuren.
- Medien-Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 16.02.2024
- Übergeordnete Sets
- 1
Epilogue to a staged performance at a place no longer quiet_03
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Epilogue to a staged performance at a place no longer quiet_03
- Untertitel
- Publikation zur Ausstellung "a staged performance at a place no longer quiet"
- Autor/in
- Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Kategorie
- Typ des Projekts/Werks
- Mitwirkende
- Abmessungen
- 18,5 x 30cm
- Ort: Institution
- Stadt
- Land
- Titel
- Epilogue to a staged performance at a place no longer quiet_03
- Urheberrechtshinweis
- © Jonathan Blaschke
- Rechtsschutz/Lizenz
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Die Publikation zu meiner Ausstellung dient nicht als Erklärung, sondern als Erweiterung meiner gezeigten Arbeit. Gedruckt auf altem Papier und mit Klammerheftung erinnert die Publikation an die Offenlegung der Strukturelemente der Narration und Immersion in meiner Ausstellung. Die Texte sind erweiterte Fragmente der Monologe der animierten Figuren.
- Medien-Beschreibung (en)
- The publication to my exhibition serves not as an explanation but as an extension of my shown work. Printed on old paper stock and staple bound the publication recalls the revealing of the structural elements of narration and immersion in my exhibition. The texts are extended fragments of the animated characters' monologues.
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 16.02.2024
- Übergeordnete Sets
- 1