"Druckerzeugnisse der HfG"
| Begriff | Druckerzeugnisse der HfG |
| Metakey | Freigabe Nutzung HfG (rights:usage_hfg) |
| Typ | Keyword |
| Vokabular | Rechte |
1108 Inhalte
- Seite 1 von 93
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe, Foto: Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 2
Dusting. Ecosystems with images and codes
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Dusting. Ecosystems with images and codes
- Schlagworte
- Datierung
- 30.04.2024 - 16.07.2024
- Titel
- Dusting. Ecosystems with images and codes
- Titel (en)
- Dusting. Ecosystems with images and codes
- Urheberrechtshinweis
- © Staatliche Hochschule für Gestaltung Karlsruhe; Matylda Eaton
- Freigabe Nutzung HfG
- Medienersteller/in
- Medien-Beschreibung
- Dokumentation des Seminars:
Dusting. Ecosystems with images and codes
“No matter how desperately you fight against it, dust pervades everything. It accumulates in fuzzy balls or gathers in even layers, adapting to the contours of things and making the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, an inventory of threats, and a set of promises… “ Michael Marder, “Dust” 2016 In this seminar we will look at different situations with images and codes where dust engages as a medium to understand the complex interrelation between the content of an image and its making, its meta-data and its technological and ecological being in the world. The seminare is practical as well as theoretical. We will dust together, and we will wait for dust to settle: on paper, in space, in our minds, and we will research and engage in dust experiments together: from field trips to laboratory visit to exhibition visits. At the end of the seminar the aim is to have delevoped a presentation, be it an image series, an installation, or/ and a research exhibition. This will be presented during the Rundgang. Prof. Susanne Kriemann organises an excursion to Vienna 24th to 27th of April to see the exhibition “Into the Woods” at KunstHausWien and the first “Klima-Biennale”.
- Dokumentation des Seminars:
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Importiert am
- 22.08.2024
- Übergeordnete Sets
- 1
Einleitung zur Ausstellung
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Einleitung zur Ausstellung
- Autor/in
- Kategorie
- Schlagworte
- Datierung
- 24.10.2024
- Titel
- Einleitung zur Ausstellung
- Titel (en)
- Introduction to the exhibition
- Urheberrechtshinweis
- © Joshua Weber
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Die Objekte der Ausstellung und ihr Erlebnis
- Medien-Beschreibung (en)
- The objects of the exhibition and the experience
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 03.11.2024
- Übergeordnete Sets
- 1
everyone (dt.: alle)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- everyone (dt.: alle)
- Schlagworte
- Titel
- everyone (dt.: alle)
- Titel (en)
- everyone
- Urheberrechtshinweis
- © Hanna Franke
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Doppelseite des Readers zu „I used to think that I was made of Stone“.
(„everyone“, 9,5 x 15,2 cm, 36 Seiten)
- Doppelseite des Readers zu „I used to think that I was made of Stone“.
- Medien-Beschreibung (en)
- Double-page spread of the accompanying reader for “I used to think that I was made of Stone”.
(“everyone”, 9,5 x 15,2 cm, 36 pages)
- Double-page spread of the accompanying reader for “I used to think that I was made of Stone”.
- Alternativ-Text (de)
- Zwei Hände halten ein Heft vor eine Wand. Es zeigt mehrere Abbildungen in schwarz-weiß. Variationen einer Figur mit einem großen hellen Gewand, auf dem ein Gesicht abgebildet ist. Auf der rechten Seite steht unter dem vergößerten Bild der Text: "Wenn das Schweißtuch (sudarium) im leeren Grab Jesu nun nicht das heutige 'Volto Santo von Manopello' ist, sondern das 'Bluttuch von Oviedo', wer war dann Veronika und wer ist das auf dem Tuch?" auf Englisch und Deutsch.
- Alternativ-Text (en)
- Two hands holding a booklet in front of a wall. It shows several illustrations in black and white. Variations of a figure with a large light-colored robe on which a face is depicted. On the right-hand side under the enlarged image stands the text: “Now, If the Shroud (sudarium) in Jesus‘ empty tomb is not today's ’Volto Santo of Manopello‘, but the ’Blood Cloth of Oviedo', then who was Veronica and who is the person on the cloth?” in German and English.
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 15.11.2024
- Übergeordnete Sets
- 1
everyone (dt.: alle)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- everyone (dt.: alle)
- Schlagworte
- Titel
- everyone (dt.: alle)
- Titel (en)
- everyone
- Urheberrechtshinweis
- © Hanna Franke
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Doppelseite des Readers zu „I used to think that I was made of Stone“.
(„everyone“, 9,5 x 15,2 cm, 36 Seiten)
- Doppelseite des Readers zu „I used to think that I was made of Stone“.
- Medien-Beschreibung (en)
- Double-page spread of the accompanying reader for “I used to think that I was made of Stone”.
(“everyone”, 9,5 x 15,2 cm, 36 pages)
- Double-page spread of the accompanying reader for “I used to think that I was made of Stone”.
- Alternativ-Text (de)
- Übersicht verschiedener Worte, kurzer Texte und Symbole. Die deutsche Übersetzung der Überschrift lautet: „Unvollständige Glossarbegriffe, sortiert nach Steinen“.
- Alternativ-Text (en)
- Overview of words, several short texts and signs. The heading says: “Incomplete Glossary Terms organised by stones”.
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 15.11.2024
- Übergeordnete Sets
- 1
Excreta Fluxorum - Theatrum Instrumentorum
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Excreta Fluxorum - Theatrum Instrumentorum
- Untertitel
- George Maciunas und die Kultur der „curiositas”
- Autor/in
- Beschreibung (de)
- „Möglicherweise erscheinen die intermediären Kunstformen der 60er-jahre als zu komplex, ihre Manifestationen zu sehr als Teil einer noch lebenden Kunstgeschichte, vielleicht hindert auch die noch nicht abgeschlossene Bewältigung der postmodernen Wende in Philosophie, Kunst und Literatur an einer generalüberholten wissenschaftlichen Annäherung an diesen Themenbereich, der sich von der fließenden, aus Künstlerkommentaren über Kritiken in methodischen Darstellungen hervorgegangenen bisherigen Versuchen einer vorläufigen Einordnung des Phänomens Fluxus abzugrenzen hätte."
- „Möglicherweise erscheinen die intermediären Kunstformen der 60er-jahre als zu komplex, ihre Manifestationen zu sehr als Teil einer noch lebenden Kunstgeschichte, vielleicht hindert auch die noch nicht abgeschlossene Bewältigung der postmodernen Wende in Philosophie, Kunst und Literatur an einer generalüberholten wissenschaftlichen Annäherung an diesen Themenbereich, der sich von der fließenden, aus Künstlerkommentaren über Kritiken in methodischen Darstellungen hervorgegangenen bisherigen Versuchen einer vorläufigen Einordnung des Phänomens Fluxus abzugrenzen hätte."
- Beschreibung (en)
- “It is possible that the intermediary art forms of the 1960s appear too complex, their manifestations too much a part of a still living art history; perhaps the fact that the postmodern turn in philosophy, art and literature has not yet been completed also prevents a generally overhauled academic approach to this subject area, which would have to distinguish itself from the fluid attempts at a provisional classification of the phenomenon of Fluxus that have emerged from artists' commentaries on critiques in methodical presentations.”
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 04.03.1999
- Sprache
- Ort: Institution
- Stadt
- Land
- Titel
- Excreta Fluxorum - Theatrum Instrumentorum
- Urheberrechtshinweis
- Christoph Keller
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Archiv-Signatur
- HfG HS 1999 01
- Externes Archiv
- Importiert am
- 16.07.2024
- Übergeordnete Sets
- 1
exhibition view
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- exhibition view
- Schlagworte
- Datierung
- 24.10.2024 - 29.10.2024
- Titel
- exhibition view
- Titel (en)
- exhibition view
- Urheberrechtshinweis
- ©Lukas Klein
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Austellung im Lichthof 3
- Medien-Beschreibung (en)
- Exhibition in Lichthof 3
- Importiert am
- 03.11.2024
- Übergeordnete Sets
- 2
exhibition view 2
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- exhibition view 2
- Schlagworte
- Datierung
- 24.10.2024 - 29.10.2024
- Titel
- exhibition view 2
- Titel (en)
- exhibition view 2
- Urheberrechtshinweis
- ©Lukas Klein
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Importiert am
- 03.11.2024
- Übergeordnete Sets
- 2
face imprint (dt.: gesichtsabdruck)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- face imprint (dt.: gesichtsabdruck)
- Schlagworte
- Titel
- face imprint (dt.: gesichtsabdruck)
- Titel (en)
- face imprint
- Urheberrechtshinweis
- © Hanna Franke
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Beziehung/Funktion
- Alternativ-Text (de)
- Freigestelltes Objekt: ein heller Stoff mit einem Gesichtsabdruck aus Wachs. Im Hintergrund ist ein Teil einer Fensterscheibe und eine Holzfensterbank zu sehen.
- Alternativ-Text (en)
- Isolated object: a light-colored fabric with a wax face imprint. Part of a window pane and a wooden window sill can be seen in the background.
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 02.11.2024
- Übergeordnete Sets
- 1