“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
Poster und Einladung zur Ausstellung. Das Poster war gleichzeitig auch die Vorderseite des faltbaren Flyers, der begleitend zur Ausstellung ausgelegt wurde.
Beschreibung (en)
Poster and invitation for the exhibition. The poster was also the front of the foldable flyer that accompanied the exhibition.
Die Gedächtnisprotokolle von Corinne Riepert und Mascha Dilger waren Teil der Ausstellung/ Installation "7QM" und waren als A3 Print in Farbe (blau, Risoprint) an einer Wand installiert und als "giveaway" mitzunehmen.
Grafikdesign: Laurine Haller, Paulina Mimberg
Beschreibung (en)
The memory protocols by Corinne Riepert and Mascha Dilger were part of the exhibition/ installation "7QM" and were installed on a wall as an A3 print in color (blue, Risoprint). They could be taken as a "giveaway".
Die Gedächtnisprotokolle von Corinne Riepert und Mascha Dilger waren Teil der Ausstellung/ Installation "7QM" und waren als A3 Print in Farbe (blau, Risoprint) an einer Wand installiert und als "giveaway" mitzunehmen.
Grafikdesign: Laurine Haller, Paulina Mimberg
Beschreibung (en)
The memory protocols by Corinne Riepert and Mascha Dilger were part of the exhibition/ installation "7QM" and were installed on a wall as an A3 print in color (blue, Risoprint). They could be taken as a "giveaway".
Innenseite und Inhalt des Flyers, der begleitend zur Ausstellung ausgelegt wurde. Der Flyer beinhaltet eine Kurzbeschreibung zur Ausstellung, Fußnoten zu unterschiedlichen wissenschaftlichen Texten, die Teil meiner Recherche waren. Des Weiteren werden fragmentarisch Teile der Recherche abgebildet: ein exemplarischer Grundriss einer Gefängniszelle mit Möblierung und Beschriftung der Materialien; Zitate aus der Zeitschrift "Haftleben", die von Frauen der JVA Chemnitz publiziert wird; Vokabular aus dem Gefängniskontext; eine Liste, die zeigt welche Gegenstände auf einer Zelle erlaubt bzw. verboten sind; die Danksagung.
Beschreibung (en)
Inside and contents of the flyer that accompanied the exhibition. The flyer contains a brief description of the exhibition, footnotes to various texts that were part of my research. Furthermore, fragmentary parts of the research are shown: an exemplary floor plan of a prison cell with furniture and labeling of the materials; quotations from the magazine "Haftleben" (prison life), which is published by women of the Chemnitz Prison; vocabulary from the prison context; a list showing which objects are allowed or forbidden on a cell; the credits.