“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
“Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
Der Global Game Jam (GGJ) ist das weltweit größte Game Jam-Event – eine Art Hackathon, der sich auf die Entwicklung von Spielen konzentriert und an zahlreichen Orten auf der ganzen Welt stattfindet.
Im Jahr 2019 wird zum siebten Mal eine eigene Jam Site an der HfG Karlsruhe eingerichtet. Erfahrene (professionelle) Game Designer treffen auf Nachwuchsentwickler: Alle sind willkommen.
Bis zu 50 Personen sind eingeladen mitzujammen und Teil der weltweiten Entwickler-Community zu werden. Innerhalb von nur 48 Stunden entstehen neue, einzigartige Computerspiele zu einem vorgegebenen Thema. Die Veranstaltung begrüßt internationale Gäste an der HfG Karlsruhe. Die Teilnahme ist kostenlos.
Die Ergebnisse – spielbare Computerspiele zu einem bestimmten Thema – werden am Sonntag, den 27.1. um 17 Uhr allen präsentiert. Die Präsentation zeigt alle Games, die während der 48 Stunden Jam an der HfG Karlsruhe entstanden sind. Interessierte Gäste sind herzlich willkommen, die Games des Global Game Jam kennenzulernen. Die Vorstellung ist natürlich für alle öffentlich und selbstverständlich kostenlos.
Der Global Game Jam ist eine Kooperation der Staatlichen Hochschule für Gestaltung Karlsruhe und des ZKM | Zentrum für Kunst und Medientechnologie in Karlsruhe und wird unterstützt durch das K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
Mehr Infos und Anmeldung:
globalgamejam.org
Zur Anmeldung muss man sich unter globalgamejam.org registrieren und dann die HfG Karlsruhe als Location auswählen.
Website des GameLab der HfG:
hfg-karlsruhe.de/gamelab
The Global Game Jam (GGJ) is the world's largest game jam event (game creation) taking place around the world at physical locations. Think of it as a hackathon focused on game development.
In 2019, a jam site will be set up for the seventh time at the HfG Karlsruhe. Experienced (professional) game designers meet up-and-coming developers: everyone is welcome. Up to 50 people are invited to join in and become part of the global developer community. Within just 48 hours, new, unique computer games are created on a specific topic. The event welcomes international guests at the HfG Karlsruhe. Participation is free.
The results – playable computer games on a specific topic – are presented the world on Sunday. The presentation shows all the games that were created during the 48-hour jam at the HfG Karlsruhe. Interested guests are welcome to meet the games of the Global Game Jam. The presentation is public for all – and of course free of charge.
The Global Game Jam is a cooperation of the Karlsruhe University of Arts and Design and the ZKM | Center for Art and Media in Karlsruhe and is supported by the K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
More information and registration: [globalgamejam.org] (http://globalgamejam.org/) You have to register at [globalgamejam.org] (http://globalgamejam.org/) and then select the HfG Karlsruhe as location.
Website of the GameLab of the HfG: hfg-karlsruhe.de/gamelab
Der Global Game Jam (GGJ) ist das weltweit größte Game Jam-Event – eine Art Hackathon, der sich auf die Entwicklung von Spielen konzentriert und an zahlreichen Orten auf der ganzen Welt stattfindet.
Im Jahr 2019 wird zum siebten Mal eine eigene Jam Site an der HfG Karlsruhe eingerichtet. Erfahrene (professionelle) Game Designer treffen auf Nachwuchsentwickler: Alle sind willkommen.
Bis zu 50 Personen sind eingeladen mitzujammen und Teil der weltweiten Entwickler-Community zu werden. Innerhalb von nur 48 Stunden entstehen neue, einzigartige Computerspiele zu einem vorgegebenen Thema. Die Veranstaltung begrüßt internationale Gäste an der HfG Karlsruhe. Die Teilnahme ist kostenlos.
Die Ergebnisse – spielbare Computerspiele zu einem bestimmten Thema – werden am Sonntag, den 27.1. um 17 Uhr allen präsentiert. Die Präsentation zeigt alle Games, die während der 48 Stunden Jam an der HfG Karlsruhe entstanden sind. Interessierte Gäste sind herzlich willkommen, die Games des Global Game Jam kennenzulernen. Die Vorstellung ist natürlich für alle öffentlich und selbstverständlich kostenlos.
Der Global Game Jam ist eine Kooperation der Staatlichen Hochschule für Gestaltung Karlsruhe und des ZKM | Zentrum für Kunst und Medientechnologie in Karlsruhe und wird unterstützt durch das K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
Mehr Infos und Anmeldung:
globalgamejam.org
Zur Anmeldung muss man sich unter globalgamejam.org registrieren und dann die HfG Karlsruhe als Location auswählen.
Website des GameLab der HfG:
hfg-karlsruhe.de/gamelab
The Global Game Jam (GGJ) is the world's largest game jam event (game creation) taking place around the world at physical locations. Think of it as a hackathon focused on game development.
In 2019, a jam site will be set up for the seventh time at the HfG Karlsruhe. Experienced (professional) game designers meet up-and-coming developers: everyone is welcome. Up to 50 people are invited to join in and become part of the global developer community. Within just 48 hours, new, unique computer games are created on a specific topic. The event welcomes international guests at the HfG Karlsruhe. Participation is free.
The results – playable computer games on a specific topic – are presented the world on Sunday. The presentation shows all the games that were created during the 48-hour jam at the HfG Karlsruhe. Interested guests are welcome to meet the games of the Global Game Jam. The presentation is public for all – and of course free of charge.
The Global Game Jam is a cooperation of the Karlsruhe University of Arts and Design and the ZKM | Center for Art and Media in Karlsruhe and is supported by the K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
More information and registration: [globalgamejam.org] (http://globalgamejam.org/) You have to register at [globalgamejam.org] (http://globalgamejam.org/) and then select the HfG Karlsruhe as location.
Website of the GameLab of the HfG: hfg-karlsruhe.de/gamelab
Der Global Game Jam (GGJ) ist das weltweit größte Game Jam-Event – eine Art Hackathon, der sich auf die Entwicklung von Spielen konzentriert und an zahlreichen Orten auf der ganzen Welt stattfindet.
Im Jahr 2019 wird zum siebten Mal eine eigene Jam Site an der HfG Karlsruhe eingerichtet. Erfahrene (professionelle) Game Designer treffen auf Nachwuchsentwickler: Alle sind willkommen.
Bis zu 50 Personen sind eingeladen mitzujammen und Teil der weltweiten Entwickler-Community zu werden. Innerhalb von nur 48 Stunden entstehen neue, einzigartige Computerspiele zu einem vorgegebenen Thema. Die Veranstaltung begrüßt internationale Gäste an der HfG Karlsruhe. Die Teilnahme ist kostenlos.
Die Ergebnisse – spielbare Computerspiele zu einem bestimmten Thema – werden am Sonntag, den 27.1. um 17 Uhr allen präsentiert. Die Präsentation zeigt alle Games, die während der 48 Stunden Jam an der HfG Karlsruhe entstanden sind. Interessierte Gäste sind herzlich willkommen, die Games des Global Game Jam kennenzulernen. Die Vorstellung ist natürlich für alle öffentlich und selbstverständlich kostenlos.
Der Global Game Jam ist eine Kooperation der Staatlichen Hochschule für Gestaltung Karlsruhe und des ZKM | Zentrum für Kunst und Medientechnologie in Karlsruhe und wird unterstützt durch das K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
Mehr Infos und Anmeldung:
globalgamejam.org
Zur Anmeldung muss man sich unter globalgamejam.org registrieren und dann die HfG Karlsruhe als Location auswählen.
Website des GameLab der HfG:
hfg-karlsruhe.de/gamelab
The Global Game Jam (GGJ) is the world's largest game jam event (game creation) taking place around the world at physical locations. Think of it as a hackathon focused on game development.
In 2019, a jam site will be set up for the seventh time at the HfG Karlsruhe. Experienced (professional) game designers meet up-and-coming developers: everyone is welcome. Up to 50 people are invited to join in and become part of the global developer community. Within just 48 hours, new, unique computer games are created on a specific topic. The event welcomes international guests at the HfG Karlsruhe. Participation is free.
The results – playable computer games on a specific topic – are presented the world on Sunday. The presentation shows all the games that were created during the 48-hour jam at the HfG Karlsruhe. Interested guests are welcome to meet the games of the Global Game Jam. The presentation is public for all – and of course free of charge.
The Global Game Jam is a cooperation of the Karlsruhe University of Arts and Design and the ZKM | Center for Art and Media in Karlsruhe and is supported by the K3 Kultur- und Kreativwirtschaftsbüro Karlsruhe.
More information and registration: [globalgamejam.org] (http://globalgamejam.org/) You have to register at [globalgamejam.org] (http://globalgamejam.org/) and then select the HfG Karlsruhe as location.
Website of the GameLab of the HfG: hfg-karlsruhe.de/gamelab