"Film / Video"
| Begriff | Film / Video |
| Metakey | Typ des Projekts/Werks (creative_work:type) |
| Typ | Keyword |
| Vokabular | Werk |
118 Inhalte
- Seite 1 von 10
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Autor/in
- Beschreibung (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Mitwirkende
- Ort: Institution
- Ort
- Karlsruhe
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Ansichten von A Factor of Evolution in Triangel Studio
- Titel (en)
- Views of A Factor of Evolution in Triangle Studio
- Urheberrechtshinweis
- Tina Jander; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Alternativ-Text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternativ-Text (en)
- Views of A Factor of Evolution in Triangle Studio
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1
Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Autor/in
- Beschreibung (de)
- Das Künstler*innen Kollektiv Francis Karat mobilisiert für die Bunte Nacht der Digitalisierung KI-Modelle und lässt sie die Abstraktionen der Verwaltung 4.0 halluzinieren. Die Gedanken eines Maschinenaufsehers aus der Zukunft verlieren sich in einer futuristischen Reimagination des Markerschen Fotoromans. Durch ein Rearrangement der bekannten gelben Straßenblockaden bricht die Geschichte aus der Leinwand heraus und interagiert mit dem Kronenplatz.
- Kategorie
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort: Institution
- Ort
- Kronenzplatz
- Stadt
- Land
- Beteiligte Institution(en)
- Internetlinks
- Titel
- Ansicht von Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Titel (en)
- Views of Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine in Kronenplatz
- Urheberrechtshinweis
- Francis Karat; photo: Víctor Fancelli Capdevila
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- Ansichten der Installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine am Kronenplatz
- Medien-Beschreibung (en)
- Views of the installation Echos and Archives Part II – Im Strudel der Daten und flüchtigen Scheine at Kronenplatz
- Importiert am
- 10.06.2024
- Übergeordnete Sets
- 1