“I see” “with my voice”

Bild: “I see” “with my voice”

“I see” “with my voice”

Marie Faaß

Titel	“I see” “with my voice”
Autor/in	Marie Faaß
Beschreibung (de)	„I see“ „with my voice“ beschäftigt sich mit Themen wie Transformation, Gestaltwandel und Materialität durch ein Zusammenspiel von literarischen Fragmenten und entliehenen Stimmen. Das Ergebnis ist eine nicht-lineare, fluide Erzählung, die die flüchtige Natur von Visionen, Träumen und Metamorphosen einfängt.
Beschreibung (en)	“I see” “with my voice” engages with themes of transformation, shapeshifting, and materiality through an interplay of literary fragments and borrowed voices, resulting in a non-linear, fluid narrative that encapsulates the ephemeral nature of visions, dreams, and metamorphoses. This project draws substantial inspiration from Alice Notley's The Descent of Alette, a transformative odyssey that employs rhythmic spoken language to explore continuous change. Alongside Notley’s influence, the works of Hildegard von Bingen, a 12th-century mystic, and the visionary narratives from the biblical book of Ezekiel, serve as foundational texts that inform the thematic and structural framework of this piece. The text is presented as an audio recording, whispered as a 20 minute loop. Visitors can listen to the piece when pressing their ear against the tents walls. My objects are performers, maybe even imposters: frozen in a state of change or mimicry. My objects are performers, maybe even imposters: frozen in a state of change or mimicry. They are skillfull imitators, but you can tell something is off. Moving along this crack between the believable and the not quite right, I like to engage with different realities and states of being. The artificial, almost real-life fakeness of their with different realities and states of being. The artificial, almost real-life fakeness of their surfaces set the stage for my narrative of transformation, imitation and shapeshifting. 1. A wooden house crafted from smooth denim. Made by sanding the grain of wood onto the denim fabric 2. Heavy fog covering the floor that could be perceived as dew, mixed with a light subtle smoke of Incense burning. The fragrance envokes sacred, holy feelings with its warm, resinous smell with peppery The fragrance envokes sacred, holy feelings with its warm, resinous smell with peppery undertones. 3. 100 cherries made from a thick mixture of honey and almonds. The heavy sweetness of the stoneless candy-imposter meant to linger in the visitors mouth as it is tasted. of the stoneless candy-imposter meant to linger in the visitors mouth as it is tasted. A thin gelatine film – imitating the coolnes of cherry skin as it touches the lips A thin gelatine film – imitating the coolnes of cherry skin as it touches the lips The installation is accompanied by a small reader containing the three part text to be taken The installation is accompanied by a small reader containing the three part text to be taken home and serve as a keep sake or document of the fleeting spoken text. The reader is bound with one simple staple. It does not have a beginning or end, but The reader is bound with one simple staple. It does not have a beginning or end, but rather works like a gif. No cover or back. Just like wheels turning endlessly in a nonlinear rather works like a gif. No cover or back. Just like wheels turning endlessly in a nonlinear storytelling.
Kategorie	Installation Audio/Sound Ausstellung
Typ des Projekts/Werks	Diplomarbeit Performance Installation Objekt
Schlagworte	Audio Ausstellung Diplom Kommunikationsdesign Installation Textil Pavillion Text
Datierung	18.04.2024
Sprache	EN
Ort: Institution	ZKM
Ort	“I see” “with my voice” at ZKM Pavillon, Karlsruhe
Stadt	Karlsruhe
Land	Deutschland

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