Media Object
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live performance >Raving Realities<
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- live performance >Raving Realities<
- Description (de)
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
Regie: Alize Heiser
Es spielten: Anna Tarasenko, Marix Turskiy
Dramaturgie: Bella Enderlein, Gabriel Kowak
Raumkonzept: Ewa Wasilewska
Kostüm: Klara Beck, Julia Freisinger
Live Sound: Tina Jander
Visual Arts: Victoria Mikhaylova
Text: Alize Heiser, Lydia Henkel, Anna Tarasenko, Marix Turskiy
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
- Category
- Type of project / creative work
- Keywords
- Date
- 23.05.2024
- Duration
- 1h
- Location: institution
- City
- Participating institution(s)
- Title
- live performance >Raving Realities<
- Title (en)
- live performance >Raving Realities<
- Copyright Notice
- © Denis Mörgenthaler
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Semester
- Imported on
- 16.12.2024
- Parent sets
- 1
live performance >Raving Realities<
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- live performance >Raving Realities<
- Description (de)
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
Regie: Alize Heiser
Es spielten: Anna Tarasenko, Marix Turskiy
Dramaturgie: Bella Enderlein, Gabriel Kowak
Raumkonzept: Ewa Wasilewska
Kostüm: Klara Beck, Julia Freisinger
Live Sound: Tina Jander
Visual Arts: Victoria Mikhaylova
Text: Alize Heiser, Lydia Henkel, Anna Tarasenko, Marix Turskiy
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
- Category
- Type of project / creative work
- Keywords
- Date
- 23.05.2024
- Duration
- 1h
- Location: institution
- City
- Participating institution(s)
- Title
- live performance >Raving Realities<
- Title (en)
- live performance >Raving Realities<
- Copyright Notice
- © Denis Mörgenthaler
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Semester
- Imported on
- 16.12.2024
- Parent sets
- 1
live performance >Raving Realities<
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- live performance >Raving Realities<
- Description (de)
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
Regie: Alize Heiser
Es spielten: Anna Tarasenko, Marix Turskiy
Dramaturgie: Bella Enderlein, Gabriel Kowak
Raumkonzept: Ewa Wasilewska
Kostüm: Klara Beck, Julia Freisinger
Live Sound: Tina Jander
Visual Arts: Victoria Mikhaylova
Text: Alize Heiser, Lydia Henkel, Anna Tarasenko, Marix Turskiy
- Premiere am 23.5.2024 auf der Bühne der adk Ludwigsburg
- Category
- Type of project / creative work
- Keywords
- Date
- 23.05.2024
- Duration
- 1h
- Location: institution
- City
- Participating institution(s)
- Title
- live performance >Raving Realities<
- Title (en)
- live performance >Raving Realities<
- Copyright Notice
- © Denis Mörgenthaler
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Semester
- Imported on
- 16.12.2024
- Parent sets
- 1
Backwaters of Algorithms
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Backwaters of Algorithms
- Author
- Description (de)
- Das Werk stützt sich auf Theodor Rehbocks Buch von 1898, "Deutsch Südwestafrika. Seine wirtschaftliche Erschließung unter besonderer Berücksichtigung der Nutzbarmachung des Wassers", um die durch die Wissenschaft gerechtfertigte Ausbeutung zu untersuchen. Es verweist auch auf die Regulierung des Rheinflussbettes und die Standardisierung von Sprachen als weitere Folgen des "aufgeklärten Kolonialismus". Die Videoinstallation untersucht die Erzählungen wissenschaftlicher Erkundungen während der Kolonialzeit, eingebettet in einen futuristischen Kontext.
- Description (en)
- The work draws on Theodor Rehbock's 1898 book, "Deutsch Südwestafrika. Seine wirtschaftliche Erschließung unter besonderer Berücksichtigung der Nutzbarmachung des Wassers" ("German South West Africa: Its Economic Development with Special Consideration of the Utilization of Water") to examine the exploitation justified by science. It also references the regulation of the Rhine riverbed and the standardization of languages as further consequences of "enlightened colonialism." The video installation explores the narratives of scientific explorations during the colonial era, embedded in a futuristic context.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.2024
- Contributors
- Language
- Duration
- 3 min.
- Location: institution
- Title
- Backwaters of Algorithms
- Copyright Notice
- © ewa wasilewska
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Imported on
- 16.12.2024
- Parent sets
- 0
Videowelt und fraktale Entspannung - Rückseite der Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Videowelt und fraktale Entspannung - Rückseite der Installation
- Author
- Category
- Type of project / creative work
- Date
- 07.2023
- Duration
- 15:30
- Title
- Videowelt und fraktale Entspannung - Rückseite der Installation
- Copyright Notice
- © ewa wasilewska
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Rückseite der Installation; mehrere Elementen angeschlossen an die „Maschine“ der Selbstreferenz: HDMI-Analog Konvertern, Android Media Players, DC 5V Stromversorgungsgeräte
- Program of Study
- Imported on
- 16.12.2024
- Parent sets
- 0
Videowelt und fraktale Entspannung
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Videowelt und fraktale Entspannung
- Author
- Description (de)
- In seinem Text „Videowelt und fraktales Subjekt,“ beschreibt Baudrillard ein Subjekt der digitalen Ära, das danach trachtet, „sich selber in seinen Bruchstücken anzugleichen“ und anstatt nach seinem vollkommenen Idealbild, sehnt es sich nach der „Formel einer endlosen genetischen Reproduktion“ (Baudrillard 1989). Technologische Reduplikationen und Erscheinungsweisen des Körpers formen das Konzept des neuen Selbst. „Es geht heute nicht einmal mehr darum, einen Körper zu haben, sondern an seinen Körper angeschlossen (connected) zu sein.“
"Videowelt und fraktale Entspannung" ist als eine Mehrkanal-Installation, die sich auf das Konzept des fraktalen Körpers nach Baudrillard und der Interpassivität nach Pfaller stützt. Sieben Bildschirme zeigen die Verlängerung des menschlichen Körpers, während ein beauftragter Bot ein ungezwungenes Entspannungsprogramm durchführt. Basierend auf der progressiven Muskelentspannung nach Edmund Jacobson ermöglicht die Installation den Betrachter:innen, an der angeleiteten Choreografie teilzuhaben und so die Verbundenheit des Selbst mit der Technik zu erfahren. So ist sie ironisch als eine interpassive ‘Oase der Entspannung‘ konzipiert.
- In seinem Text „Videowelt und fraktales Subjekt,“ beschreibt Baudrillard ein Subjekt der digitalen Ära, das danach trachtet, „sich selber in seinen Bruchstücken anzugleichen“ und anstatt nach seinem vollkommenen Idealbild, sehnt es sich nach der „Formel einer endlosen genetischen Reproduktion“ (Baudrillard 1989). Technologische Reduplikationen und Erscheinungsweisen des Körpers formen das Konzept des neuen Selbst. „Es geht heute nicht einmal mehr darum, einen Körper zu haben, sondern an seinen Körper angeschlossen (connected) zu sein.“
- Description (en)
- In his text "Video World and Fractal Subject," Baudrillard describes a subject of the digital era that strives to "align itself with its own fragments." Rather than aspiring to its perfect ideal image, it yearns for the "formula of an endless genetic reproduction" (Baudrillard 1989). Technological reduplications and manifestations of the body shape the concept of the new self. "Today, it is no longer even about having a body, but about being connected to one's body."
"Video World and Fractal Relaxation" is a multi-channel installation that draws on Baudrillard's concept of the fractal body and Pfaller's theory of interpassivity. Seven screens depict the extension of the human body while a programmed bot conducts a casual relaxation routine. Based on Edmund Jacobson's progressive muscle relaxation, the installation allows viewers to participate in the guided choreography, offering them an experience of the self's connection with technology. It is ironically designed as an interpassive "oasis of relaxation."
- In his text "Video World and Fractal Subject," Baudrillard describes a subject of the digital era that strives to "align itself with its own fragments." Rather than aspiring to its perfect ideal image, it yearns for the "formula of an endless genetic reproduction" (Baudrillard 1989). Technological reduplications and manifestations of the body shape the concept of the new self. "Today, it is no longer even about having a body, but about being connected to one's body."
- Category
- Type of project / creative work
- Keywords
- Date
- 07.2023
- Contributors
- Language
- Material
- Duration
- 15:30
- Location: institution
- Location
- R. 112
- City
- Title
- Videowelt und fraktale Entspannung
- Copyright Notice
- © ewa wasilewska
- Permission usage HfG
- Media creator
- Description of media
- Mehrkanal-Installation 15’30’’
- Description of media (en)
- Multi-channel installation, 15'30''
- Program of Study
- Imported on
- 16.12.2024
- Parent sets
- 0
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Permission usage HfG
- Media creator
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Keywords
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Keywords
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1
She and her, white and white
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- She and her, white and white
- Author
- Category
- Title
- She and her, white and white
- Copyright Notice
- © Jingruo Wang
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 12.12.2024
- Parent sets
- 1