"EN"
| Term | EN |
| Metakey | Language (creative_work:language) |
| Type | Keyword |
| Vocabulary | Creative work |
257 Items
- Page 1 of 22
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- About Fighting the Fear (of the World) - Installation
- Title (en)
- About Fighting the Fear (of the World)
- Author
- Description (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Description (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Type of project / creative work
- Keywords
- Date
- 22.02.2024
- Contributors
- Thanks to
- Language
- Subtitles (film)
- Material
- Technology/production/formats
- MP4
- Dimensions
- 2500 x 1080 px
- Duration
- 26 min
- Location: institution
- Location
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- City
- Country
- Title
- About Fighting the Fear (of the World) - Installation
- Copyright Notice
- Janosch Bela Kratz
- Permission usage HfG
- Media creator
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 03.03.2024
- Parent sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- About Fighting the Fear (of the World) - Installation
- Title (en)
- About Fighting the Fear (of the World)
- Author
- Description (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Description (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Type of project / creative work
- Keywords
- Date
- 22.02.2024
- Contributors
- Thanks to
- Language
- Subtitles (film)
- Material
- Technology/production/formats
- MP4
- Dimensions
- 2500 x 1080 px
- Duration
- 26 min
- Location: institution
- Location
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- City
- Country
- Title
- About Fighting the Fear (of the World) - Installation
- Copyright Notice
- Janosch Bela Kratz
- Permission usage HfG
- Media creator
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 03.03.2024
- Parent sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- About Fighting the Fear (of the World) - Installation
- Title (en)
- About Fighting the Fear (of the World)
- Author
- Description (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Description (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Type of project / creative work
- Keywords
- Date
- 22.02.2024
- Contributors
- Thanks to
- Language
- Subtitles (film)
- Material
- Technology/production/formats
- MP4
- Dimensions
- 2500 x 1080 px
- Duration
- 26 min
- Location: institution
- Location
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- City
- Country
- Title
- About Fighting the Fear (of the World) - Installation
- Copyright Notice
- Janosch Bela Kratz
- Permission usage HfG
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 03.03.2024
- Parent sets
- 1
About Fighting the Fear (of the World) - Installation
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- About Fighting the Fear (of the World) - Installation
- Title (en)
- About Fighting the Fear (of the World)
- Author
- Description (de)
- "Über das Bekämpfen der Angst (vor der Welt)" ist eine spekulative Videoarbeit, die ein Spektrum von Phänomenen rund um Karten, Angst, Krieg, Reisen und den Körper abdeckt, wobei der Schwerpunkt auf der Praxis der Kartierung als Instrument zur Unterdrückung und Kontrolle von Land und Menschen liegt. Das Video versucht, einen Rahmen für das Thema zu schaffen, indem es viele verschiedene Geschichten zu einem Cluster zusammenführt, der vielleicht nicht repräsentativ ist, aber einige Teile des Themas beleuchtet. Ästhetisch und strukturell ist das Video von Rollenspielen, der Pre-Vis-Technik (die in Filmproduktionen verwendet wird) und Found Footage inspiriert. Das Szenario ist in einer fernen Zukunft angesiedelt, in der Klimawandel und Massenaussterben längst ihre Auswirkungen gezeigt haben und die Bestien, die vor der großen Kolonisierung über das Unbekannte wachten, zurückgekehrt sind. In der Rolle der Hauptfigur sucht der Zuschauer, angeleitet von einem Erzähler, nach Überresten der alten Welt, um zu verstehen, warum alles kartiert werden musste.
- Description (en)
- "About Fighting the Fear (of the World)" is a speculative video work that covers a spectrum of phenomena around maps, fear, war, traveling, and the body, with a focus on the practice of mapping as a tool to oppress and control land and people. The video attempts to frame the issue by bringing together many different stories to create a cluster that may not be representative but illuminates some parts of the issue. Aesthetically and structurally, the video is inspired by role-playing games, pre-vis technique (used in film productions), and found footage. The scenario is set in a distant future in which climate change and mass extinction have long since had an impact and beasts that used to watch over the unknown before the big colonization have returned. As the main character, the viewer searches for remnants of the old world, guided by a narrator, in order to understand why everything had to be mapped.
- Type of project / creative work
- Keywords
- Date
- 22.02.2024
- Contributors
- Thanks to
- Language
- Subtitles (film)
- Material
- Technology/production/formats
- MP4
- Dimensions
- 2500 x 1080 px
- Duration
- 26 min
- Location: institution
- Location
- Werkschau und Diplominstallation in Raum 222, Video-Screening im Kino im Blauen Salon
- City
- Country
- Title
- About Fighting the Fear (of the World) - Installation
- Copyright Notice
- Janosch Bela Kratz
- Permission usage HfG
- Media creator
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 03.03.2024
- Parent sets
- 1
After Memory Postcards
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- After Memory Postcards
- Author
- Description (en)
- The talk and live music-led meditation session draws on sound design, psychology, neuroscience, folklore and diasporic spirituality. Studies of Air and Smoke is both an art performance and a meta-educational intervention; it is neither a concert nor a lecture. Thiago Leiros-Costa explores the dualism between being an artist and a scientist, performing both roles in the same evening and exploring their connections. The first part of the session assesses the nature of attention and awareness, and how the brain and our expectations are vital in constructing our experience of the world around us. Participants are invited to approach the second part, a musical performance, as a meditation session. Prompts and triggers given during the talk will be explored in the course of the performance. The music will range from folk to free improvisation and sound design.
- Category
- Type of project / creative work
- Date
- 25.10.2024
- Language
- Location: institution
- Location
- Media Theater
- City
- Country
- Participating institution(s)
- Internetlinks
- Title
- After Memory Postcards
- Copyright Notice
- After Memory
- Legal protection / Licence
- Relationship/function
- Imported on
- 17.11.2024
- Parent sets
- 1
After Memory Streamings
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- After Memory Streamings
- Author
- Description (en)
- The talk and live music-led meditation session draws on sound design, psychology, neuroscience, folklore and diasporic spirituality. Studies of Air and Smoke is both an art performance and a meta-educational intervention; it is neither a concert nor a lecture. Thiago Leiros-Costa explores the dualism between being an artist and a scientist, performing both roles in the same evening and exploring their connections. The first part of the session assesses the nature of attention and awareness, and how the brain and our expectations are vital in constructing our experience of the world around us. Participants are invited to approach the second part, a musical performance, as a meditation session. Prompts and triggers given during the talk will be explored in the course of the performance. The music will range from folk to free improvisation and sound design.
- Category
- Type of project / creative work
- Date
- 25.10.2024
- Language
- Location: institution
- Location
- Media Theater
- City
- Country
- Participating institution(s)
- Internetlinks
- Title
- After Memory Streamings
- Copyright Notice
- After Memory
- Imported on
- 08.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1
AUSSTELLUNG
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- AUSSTELLUNG
- Author
- Description (de)
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Category
- Type of project / creative work
- Date
- 06.12.23
- Contributors
- Thanks to
- Language
- Location
- Rudolf 5
- Title
- AUSSTELLUNG
- Copyright Notice
- ©Nicolas Poirot
- Media creator
- Relationship/function
- Description of media
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- WHERE LEGENDS ARE MADE AND LIES ARE TOLD (graduation project). Originated by this divine union of @parishilton @britneyspears @lindsaylohan (aka the Holy Trinity <3) the night of the infamous Bimbo Summit, WLAMALAT is the visual and critical translation of my obsession for the #y2k it-girls and #popculture in general. Mixing a religious with a highly commercial aesthetic, the project questions several topics such as women representation in the mass media, visual/celebrity culture consumption and new belief systems.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 05.11.2024
- Parent sets
- 1