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Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Critical Zones
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Autor/in
- Beschreibung (de)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Beschreibung (en)
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
The exhibition at HfG in November will display some preliminary results of the projects developed by the seminar participants. It presents an opportunity to discuss – in a mode of work-in-progress – research questions, aesthetic approaches and epistemic experiments with colleagues and students of HfG and ZKM.
Opening: Nov 7, 19:00; duration: Nov 8, 10:00-19:00, Nov 9, 10:00-15:00
HfG, mittlere Lichtbrücke
- “Critical Zones”: Developing concepts and approaches for grasping the New Climatic Regime (Bruno Latour), that is the transformations in the relations of humans to their “terrestrial” conditions of existence. – The seminar series of Bruno Latour at HfG analyses these transformations as epistemic breaks and shifts of knowledge by drawing an analogy to the scientific revolution in the 17th century, where, after a crisis of former sound knowledge, new epistemic systems, representations and narrations in art, science, and religion had to be constructed and reintegrated into new dispositifs of knowledge. The project tackles an important aesthetic question, which overpasses simple forms of illustration of knowledge: How central is the imaginary capacity of the arts in constructing representations and narrations that are depictions and “generators” of new knowledge systems and therefore vital means of cultural change?
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.11.2018 - 09.11.2018
- Mitwirkende
- Ort: Institution
- Ort
- mittlere Lichtbrücke
- Stadt
- Land
- Beteiligte Institution(en)
- Titel
- Critical Zones
- Titel (en)
- Critical Zones
- Urheberrechtshinweis
- Hochschule für Gestaltung Karlsruhe
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Projektleiter/in
- Semester
- Importiert am
- 10.01.2019
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Cool Cravings Buffet
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Cool Cravings Buffet
- Autor/in
- Titel
- Cool Cravings Buffet
- Titel (en)
- Cool Cravings Buffet
- Urheberrechtshinweis
- © Amelie Poxleitner, Joshua Weber (Fotograf)
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Abgebildete Personen
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 30.01.2024
- Übergeordnete Sets
- 1
Chicken-Nugget-Monolith
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Chicken-Nugget-Monolith
- Autor/in
- Kategorie
- Titel
- Chicken-Nugget-Monolith
- Titel (en)
- Chicken Nugget Monolith
- Urheberrechtshinweis
- © Jannis Zell
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- "Normalerweise dauert die Evolution Millionen von Jahren, aber hier hat es nur Jahrzehnte gedauert, um eine neue Tierform hervorzubringen, die das Potenzial hat, eine Markerspezies des Anthropozäns zu werden – und die enorme Anzahl dieser weltweit weggeworfenen Hühnerknochen bedeutet, dass wir eine neue Art von Fossil für die zukünftige geologische Aufzeichnung produzieren."
-Professor Jan Zalasiewicz, Professor für Paläobiologie, Universität von Leicester (eigene Übersetzung)
Wir leben im Zeitalter des Huhns.
Die Zeit, die wir auf der Erde verbracht haben, wird durch Reste von Hühnerknochen markiert. Es ist etwa 8000 Jahre her, dass der Mensch das Rote Dschungelhuhn (Gallus Gallus) domestiziert hat - der primäre Vorfahre des Haushuhns.
Die Masse aller 23 Milliarden Hühner, die zu einem bestimmten Zeitpunkt leben, ist größer als die aller anderen Vogelarten zusammen.
Der Chicken Nugget Monolith verehrt das Huhn. Er ist der ikonischsten Form von industriell verarbeitetem Fleisch nachempfunden. Einschließlich aller vier Unterkategorien von Chicken McNuggets: "Bone", "Bell", "Ball" und "Boot".
Modell: 195 × 75 × 85 cm Styropor, Mischung aus mineralischem Gips, Pigmente
- "Normalerweise dauert die Evolution Millionen von Jahren, aber hier hat es nur Jahrzehnte gedauert, um eine neue Tierform hervorzubringen, die das Potenzial hat, eine Markerspezies des Anthropozäns zu werden – und die enorme Anzahl dieser weltweit weggeworfenen Hühnerknochen bedeutet, dass wir eine neue Art von Fossil für die zukünftige geologische Aufzeichnung produzieren."
- Medien-Beschreibung (en)
- “It usually takes millions of years for evolution to occur, but here it has taken just decades to produce a new form of animal that has the potential to become a marker species of the Anthropocene – and the enormous numbers of these chicken bones discarded worldwide means that we are producing a new kind of fossil for the future geological record.”
-Professor Jan Zalasiewicz, Professor of Palaeobiology, University of Leicester
We are living in the age of the chicken.
The time we spent on Earth will be marked by leftover chicken bones. It has been about 8000 years since humans domesticated the Red Jungle Fowl (Gallus Gallus) – The primary progenitor of the domestic chicken.
The mass of all 23 billion chickens living at any given time, is greater than that of all other avian species combined.
The Chicken Nugget Monolith worships the chicken. It is modelled after the most iconic form of industrially processed meat. Including all four subcategories of Chicken McNuggets: “Bone”, “Bell”, “Ball” and “Boot”.
Model: 195 × 75 × 85 cm Styrofoam, mix of mineral plaster, pigments
- “It usually takes millions of years for evolution to occur, but here it has taken just decades to produce a new form of animal that has the potential to become a marker species of the Anthropocene – and the enormous numbers of these chicken bones discarded worldwide means that we are producing a new kind of fossil for the future geological record.”
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 31.07.2024
- Übergeordnete Sets
- 1
Chicken-Nugget-Monolith
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Chicken-Nugget-Monolith
- Autor/in
- Kategorie
- Titel
- Chicken-Nugget-Monolith
- Titel (en)
- Chicken Nugget Monolith
- Urheberrechtshinweis
- © Jannis Zell
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Medienersteller/in
- Beziehung/Funktion
- Medien-Beschreibung
- "Normalerweise dauert die Evolution Millionen von Jahren, aber hier hat es nur Jahrzehnte gedauert, um eine neue Tierform hervorzubringen, die das Potenzial hat, eine Markerspezies des Anthropozäns zu werden – und die enorme Anzahl dieser weltweit weggeworfenen Hühnerknochen bedeutet, dass wir eine neue Art von Fossil für die zukünftige geologische Aufzeichnung produzieren."
-Professor Jan Zalasiewicz, Professor für Paläobiologie, Universität von Leicester (eigene Übersetzung)
Wir leben im Zeitalter des Huhns.
Die Zeit, die wir auf der Erde verbracht haben, wird durch Reste von Hühnerknochen markiert. Es ist etwa 8000 Jahre her, dass der Mensch das Rote Dschungelhuhn (Gallus Gallus) domestiziert hat - der primäre Vorfahre des Haushuhns.
Die Masse aller 23 Milliarden Hühner, die zu einem bestimmten Zeitpunkt leben, ist größer als die aller anderen Vogelarten zusammen.
Der Chicken Nugget Monolith verehrt das Huhn. Er ist der ikonischsten Form von industriell verarbeitetem Fleisch nachempfunden. Einschließlich aller vier Unterkategorien von Chicken McNuggets: "Bone", "Bell", "Ball" und "Boot".
Modell: 195 × 75 × 85 cm Styropor, Mischung aus mineralischem Gips, Pigmente
- "Normalerweise dauert die Evolution Millionen von Jahren, aber hier hat es nur Jahrzehnte gedauert, um eine neue Tierform hervorzubringen, die das Potenzial hat, eine Markerspezies des Anthropozäns zu werden – und die enorme Anzahl dieser weltweit weggeworfenen Hühnerknochen bedeutet, dass wir eine neue Art von Fossil für die zukünftige geologische Aufzeichnung produzieren."
- Medien-Beschreibung (en)
- “It usually takes millions of years for evolution to occur, but here it has taken just decades to produce a new form of animal that has the potential to become a marker species of the Anthropocene – and the enormous numbers of these chicken bones discarded worldwide means that we are producing a new kind of fossil for the future geological record.”
-Professor Jan Zalasiewicz, Professor of Palaeobiology, University of Leicester
We are living in the age of the chicken.
The time we spent on Earth will be marked by leftover chicken bones. It has been about 8000 years since humans domesticated the Red Jungle Fowl (Gallus Gallus) – The primary progenitor of the domestic chicken.
The mass of all 23 billion chickens living at any given time, is greater than that of all other avian species combined.
The Chicken Nugget Monolith worships the chicken. It is modelled after the most iconic form of industrially processed meat. Including all four subcategories of Chicken McNuggets: “Bone”, “Bell”, “Ball” and “Boot”.
Model: 195 × 75 × 85 cm Styrofoam, mix of mineral plaster, pigments
- “It usually takes millions of years for evolution to occur, but here it has taken just decades to produce a new form of animal that has the potential to become a marker species of the Anthropocene – and the enormous numbers of these chicken bones discarded worldwide means that we are producing a new kind of fossil for the future geological record.”
- Projektleiter/in
- Semester
- Studiengang
- Typ der Abschlussarbeit
- Importiert am
- 31.07.2024
- Übergeordnete Sets
- 1
Bunte Nacht der Digitalisierung: Poster
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- Bunte Nacht der Digitalisierung: Poster
- Beschreibung (de)
- Am 7. Juni findet die Bunte Nacht der Digitalisierung statt, ein Festival, das die Vielfalt der Perspektiven und Herausforderungen der Digitalisierung in Karlsruhe feiert. Diese Initiative öffnet den Karlsruher Bürgern die Türen von mehr als 60 Institutionen (Bibliotheken, Museen, Universitäten, Unternehmen, Bürgerinitiativen), um verschiedene Themen und Ansätze zur Digitalisierung zu zeigen und zu diskutieren.
- Beschreibung (en)
- On June 7th, the Colourful Night of Digitization, a festival to celebrate the diversity of perspectives and challenges on digitization that exists in Karlsruhe, will take place. This initiative opens the doors of more than 60 institutions (libraries, museums, universities, enterprises, civil initiatives) to the citizens of Karlsruhe to show and discuss diverse topics and approaches to digitality.
- Typ des Projekts/Werks
- Schlagworte
- Datierung
- 07.06.2024
- Ort
- Karlsruhe
- Stadt
- Land
- Internetlinks
- Titel
- Bunte Nacht der Digitalisierung: Poster
- Urheberrechtshinweis
- Karlsruhe.digital
- Rechtsschutz/Lizenz
- Freigabe Nutzung HfG
- Beziehung/Funktion
- Medien-Beschreibung
- Plakat der Bunte Nacht der Digitalisierung
- Medien-Beschreibung (en)
- Poster of the Colorful Night of digitalization
- Alternativ-Text (de)
- A poster divided in two parts: on the right there is a night view of a city, from above, with the city lights. On the left, The letters Bunte Nacht der Digitalisirung, #DigitalNachtka. In the bottom the logos of the sponsors: 100 Jahre L-Bank, Sparkasse Karlsruhe, Telemax, Stadwerke Karlsruhe, Baden Württemberg, KVV, Navigate AG
- Alternativ-Text (en)
- Ein zweigeteiltes Plakat: auf der rechten Seite eine Nachtansicht einer Stadt, von oben, mit den Lichtern der Stadt. Auf der linken Seite, die Buchstaben Bunte Nacht der Digitalisirung, #DigitalNachtka. Im unteren Bereich die Logos der Sponsoren: 100 Jahre L-Bank, Sparkasse Karlsruhe, Telemax, Stadwerke Karlsruhe, Baden Württemberg, KVV, Navigate AG
- Importiert am
- 05.06.2024
- Übergeordnete Sets
- 1