HfG
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exhibition view 2
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- Title
- exhibition view 2
- Author
- Keywords
- Date
- 24.10.2024 - 29.10.2024
- Title
- exhibition view 2
- Title (en)
- exhibition view 2
- Copyright Notice
- © Lukas Klein
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 03.11.2024
- Parent sets
- 1
wine fountain (dt.: weinbrunnen)
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- Title
- wine fountain (dt.: weinbrunnen)
- Keywords
- Title
- wine fountain (dt.: weinbrunnen)
- Title (en)
- wine fountain
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 02.11.2024
- Parent sets
- 1
wax and stones (dt.: wachs und steine)
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Author that can easily go onto 2 lines as well
- Title
- wax and stones (dt.: wachs und steine)
- Title (en)
- wax and stones
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Alternative text (de)
- Großer freigestellter, heller Wachsblock. Im Hintergrund ist ein Holzboden zu sehen. Mittig verläuft eine Schwelle, teilweise aus Stein und Ton. Der Zwischenraum ist mit Wachs gefüllt.
- Alternative text (en)
- Isolated object: a big block of wax. The background shows a wooden floor. In the middle is a threshold, partly made of stone and clay. The space in between is filled with wax.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 02.11.2024
- Parent sets
- 1
about veronica (dt.: über veronika)
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Author that can easily go onto 2 lines as well
- Title
- about veronica (dt.: über veronika)
- Keywords
- Title
- about veronica (dt.: über veronika)
- Title (en)
- about veronica
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Alternative text (de)
- Freigestelltes Objekt: Ein schwarzer Stoff, der Falten wirft. Auf den Stoff ist in zwei Blöcken Text mit hellem Garn gestickt. Im Hintergrund ist ein Raum mit einem Vorhang und einer schwarzen Stufe zu sehen.
- Alternative text (en)
- Isolated object: A black fabric with folds. Text is embroidered on the fabric in two blocks with light-colored thread. A room with a curtain and a black step can be seen in the background.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 02.11.2024
- Parent sets
- 1
face imprint (dt.: gesichtsabdruck)
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Author that can easily go onto 2 lines as well
- Title
- face imprint (dt.: gesichtsabdruck)
- Keywords
- Title
- face imprint (dt.: gesichtsabdruck)
- Title (en)
- face imprint
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Alternative text (de)
- Freigestelltes Objekt: ein heller Stoff mit einem Gesichtsabdruck aus Wachs. Im Hintergrund ist ein Teil einer Fensterscheibe und eine Holzfensterbank zu sehen.
- Alternative text (en)
- Isolated object: a light-colored fabric with a wax face imprint. Part of a window pane and a wooden window sill can be seen in the background.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 02.11.2024
- Parent sets
- 1
toad (dt.: kröte)
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Author that can easily go onto 2 lines as well
- Title
- toad (dt.: kröte)
- Title
- toad (dt.: kröte)
- Title (en)
- toad
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Alternative text (de)
- Freigestelltes Objekt: Helle Kröte aus Keramik, die mit einer Schicht Wachs überzogen ist. Im Hintergrund ein dunkler Raum. Ein Stoff hängt an der Wand, Personen sind hinter einer Fensterscheibe zu erkennen.
- Alternative text (en)
- Isolated object: Light-colored ceramic toad covered with a layer of wax. A dark room in the background. A fabric hangs on the wall, people can be seen behind a window pane.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 02.11.2024
- Parent sets
- 1
I used to think (dt.: Ich habe immer gedacht)
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Author that can easily go onto 2 lines as well
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title (en)
- I used to think
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Relationship/function
- Alternative text (de)
- Verpixeltes, lachsfarbenes Foto mit unklaren, schwarzen Schatten. Am unteren Bildrand steht auf Englisch: „Da ist ein Geist!.“
- Alternative text (en)
- Blurred, salmon-colored image with black shadows. At the bottom of the picture it says “There is a ghost!”.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 31.10.2024
- Parent sets
- 1
I used to think (dt.: Ich habe immer gedacht)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Keywords
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title (en)
- I used to think
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Zu sehen ist ein Ausschnitt eines mittelalterlichen Gemäldes der heiligen Veronika. Die weiblich gelesene Person hält ein weißes Tuch vor sich, darauf ist ein Gesicht zu sehen. Es ist überblendet mit dem selben Ausschnitt. Auf diesem ist jedoch ein anderes Gesicht auf dem Tuch abgebildet. Mittig im Bild steht auf Englisch der Text „hier bin ich“.
- Alternative text (en)
- A section of a medieval painting of St. Veronica can be seen. The female figure is holding a white cloth in front of her with a face on it. It is superimposed on the same detail. However, a different face is depicted on the cloth. In the center of the picture is the text “here I am” in English.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 31.10.2024
- Parent sets
- 1
I used to think (dt.: Ich habe immer gedacht)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title (en)
- I used to think
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Zu sehen sind mittig drei helle Umrissformen. Am unteren Bildrand ist eine wolkenähnliche Form, rechts daneben steht auf Englisch "war nie da". Der Hintergrund ist beige und es sind nur unklare Umrisse zu erkennen.
- Alternative text (en)
- Three bright outlines can be seen in the center. At the lower edge of the picture is a light cloud-like shape, to the right of which is written “was never there”. The background is beige and only vague outlines can be seen.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 31.10.2024
- Parent sets
- 1
I used to think (dt.: Ich habe immer gedacht)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title
- I used to think (dt.: Ich habe immer gedacht)
- Title (en)
- I used to think
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Description of media
- Videostill
- Alternative text (de)
- Videostill: Dunkler verschwommener Hintergrund. In der Mitte des Bildes steht in lachsfarbener Schrift: „sticky like a lie or the embellishment of a story.“ Am Bildrand unten steht in heller Schrift: „klebrig wie eine Lüge oder die Ausschmückung einer Geschichte.“
- Alternative text (en)
- Video still: dark, blurred background. In the middle of the picture, in salmon-colored lettering, it says: “sticky like a lie or the embellishment of a story”. At the bottom edge of the picture, in light-colored lettering, it says: “klebrig wie eine Lüge oder die Ausschmückung einer Geschichte.”
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 31.10.2024
- Parent sets
- 1
wine fountain (dt.: weinbrunnen)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- wine fountain (dt.: weinbrunnen)
- Keywords
- Title
- wine fountain (dt.: weinbrunnen)
- Title (en)
- wine fountain
- Copyright Notice
- © Hanna Franke
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Nahaufnahme eines Weinbrunnens, an dem zwei Gläser mit Rotwein gefüllt werden. Im Hintergrund sind Stufen und eine Soundbox zu sehen.
- Alternative text (en)
- Close-up of a wine fountain where two glasses are being filled with red wine. Steps and a sound box can be seen in the background.
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 31.10.2024
- Parent sets
- 1
The Nature of Total Planning, From Francoist Hydropolitics to Green Capitalism
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- Title
- The Nature of Total Planning, From Francoist Hydropolitics to Green Capitalism
- Author
- Description (de)
- Magisterarbeit in Medienphilosophie
- Description (en)
- Thesis for the degree of Magister in Media Philosophy
- Category
- Keywords
- Date
- 06.06.2024
- Language
- Location: institution
- Country
- Title
- The Nature of Total Planning, From Francoist Hydropolitics to Green Capitalism
- Title (en)
- The Nature of Total Planning, From Francoist Hydropolitics to Green Capitalism
- Copyright Notice
- © Guillermo Collado Wilkins
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Description of media (en)
- This paper provides a critical examination of ecological planning based on the continuities that it displays across seemingly disparate political projects and historical periods. In order to do so, it draws on the small rural valley of La Bizkaia in Navarre, Spain. It produces an environmental history of the valley through a detailed study of its hydro-forestry resources, periodising such history according to a materialist reading of its ‘metabolic regimes’. That is to say, through the particular configurations between the natural and social orders that dictate life in La Bizkaia.
Initially, the study introduces the valley’s natural characteristics and its property structure, laying the foundations upon which the rest of this paper sits. Subsequently, it undertakes a detailed investigation of Francoist interventions in the 1940s-60s; a massive monoculture of pine trees was planted by the Francoist Forestry Council, which radically undermined La Bizkaia’s natural systems and depopulated it. This paper thus analyses the planning logic behind this natural intervention which, borrowing a term from one of its draftsmen, is named ‘total planning’.
The thesis then explores contemporary management of the valley by the Government of Navarre, which has maintained ownership until this day, aligning its plans with the international protocols and standards characteristic of green capitalism. By looking at projects undertaken in the valley for nature conservation and climate change adaptation, which receive funding from the European Union, this research reveals the continuities between Francoist policies and green capitalism, and how both operate under the logic of Total Planning. Under this planning logic, they both fail to accommodate the unpredictability of political conflict and natural systems.
Planning thus serves as a lens to explore the political and epistemological dimensions of ecological thought, placing a materialist reading of a small case study into the broader context of contemporary ecological intervention.
- This paper provides a critical examination of ecological planning based on the continuities that it displays across seemingly disparate political projects and historical periods. In order to do so, it draws on the small rural valley of La Bizkaia in Navarre, Spain. It produces an environmental history of the valley through a detailed study of its hydro-forestry resources, periodising such history according to a materialist reading of its ‘metabolic regimes’. That is to say, through the particular configurations between the natural and social orders that dictate life in La Bizkaia.
- Alternative text (de)
- Vollständiger Text der Magisterarbeit
- Alternative text (en)
- Complete text of the Magisterarbeit
- Projektleiter/in
- Semester
- Program of Study
- Type of graduation project
- Imported on
- 22.10.2024
- Parent sets
- 1