Creative work
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Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von Material Practice: Hyper Materials
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von Material Practice: Hyper Materials
- Author
- Description (de)
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
Unser Begriff "Hyper Materials" dreht sich um Solidarität, unabhängig von der individuellen Herkunft, und wurde von der Solidarität in der Kultur und der Gemeinschaft inspiriert, die sich auf die Rave-Kultur, den Tanz, Musikstile mit materialistischen Merkmalen usw. bezieht.
Wir haben eine Verbindung gefunden, die sich um Befreiung und die Förderung einer einladenden Gemeinschaft für Minderheiten dreht und sich auf die Menschlichkeit konzentriert, und haben dann die spezifischen Merkmale gesammelt und kombiniert. Verzerrte und glitchige Texturen scheinen nicht das zu sein, was sie sind, sondern deuten letztlich auf sich selbst hin.
- Material Practice ist eine Reihe von Kunstwerken, die sich auf transformative Materialien und Texturen konzentrieren und diese durch eine soziologische Linse untersuchen. Die von uns untersuchten und verwendeten Materialien sind Nickel, Metall und Erde, die die Grundlage für alles sind, was wir finden können, unabhängig davon, wo wir uns befinden.
- Description (en)
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
Our term “Hyper Materials” centres on solidarity regardless of individual backgrounds and has been inspired by solidarity in the culture and community, which relates to rave culture, dance, music styles with materialistic features, and so on.
We found a connection that revolves around liberation and fostering a welcoming community for minorities, focusing on humanity, and then collected and combined the specific features. Distorted and glitchy textures do not seem to be what they are but indicate themselves in the end.
- Material Practice is a series of artworks that focus on transformative materials and textures, researching them through a sociological lens. The materials we researched and used are nickel, metal, and earth, which are the basis of everything we can find regardless of where we are.
- Category
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Technology/production/formats
- 4 Displays Installation
- Location: institution
- Location
- Triangel am Kronenplatz
- City
- Country
- Participating institution(s)
- Title
- Ansichten von Material Practice: Hyper Materials
- Title (en)
- Views of Material Practice: Hyper Materials
- Copyright Notice
- Hoin Ji, Chelsea Kim; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Description of media
- Ansichten von Material Practice: Hyper Materials in der Bunte Nacht der Digitalisierung
- Description of media (en)
- Views of Material Practice: Hyper Materials during the Colourful Night of Digitization
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Author
- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Title (en)
- Views of A Factor of Evolution in Triangle Studio
- Copyright Notice
- Tina Jander; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternative text (en)
- Views of A Factor of Evolution in Triangle Studio
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Author
- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Title (en)
- Views of A Factor of Evolution in Triangle Studio
- Copyright Notice
- Tina Jander; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternative text (en)
- Views of A Factor of Evolution in Triangle Studio
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Author
- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Title (en)
- Views of A Factor of Evolution in Triangle Studio
- Copyright Notice
- Tina Jander; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternative text (en)
- Views of A Factor of Evolution in Triangle Studio
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Author
- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
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- Views of A Factor of Evolution in Triangle Studio
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- Tina Jander; photo: Víctor Fancelli Capdevila
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- Ansichten von A Factor of Evolution in Triangel Studio
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- Views of A Factor of Evolution in Triangle Studio
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- 10.06.2024
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- 1
Ansichten von A Factor of Evolution in Triangel Studio
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Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
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- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Title (en)
- Views of A Factor of Evolution in Triangle Studio
- Copyright Notice
- Tina Jander; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternative text (en)
- Views of A Factor of Evolution in Triangle Studio
- Imported on
- 10.06.2024
- Parent sets
- 1
Ansichten von A Factor of Evolution in Triangel Studio
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Author
- Description (en)
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
Peter Kropotkin is attempting in his philosophical work Mutual Aid: A Factor of Evolution (1902) to dismantle their arguments and based on numerous observations of zoologists and anthropologists, he proves, that the fittest species are the most sociable ones and that sociability develops intelligence, which is the most powerful arm in the struggle for survival. This includes insects, animals and humans. Higher moral sentiments and compassion is also essential for survival in all societies.
The ritual burning of sage in nature should help to cleanse the negative energy of social darwinism in our world and make room for a more cooperative society, that will secure the well-being of all members, even the most weak ones and furthermore facilitate a more sustainable, safe and content society.
- We live in times of high competition. Survival of the fittest is the omnipresent motto in most fields of human action, especially in the western world. This philosophy was only established about 200 years ago and manifested by Charles Darwin and especially the Social Darwinists at the end of the 19th century. They believed that according to a law of nature, only the physically strongest and most aggressive individuals and species would survive in the struggle for life. Many Social Darwinists justified therefore capitalism and racism with devastating consequences in the coming decades until nowadays.
- Type of project / creative work
- Keywords
- Date
- 07.06.2024
- Contributors
- Location: institution
- Location
- Karlsruhe
- City
- Country
- Participating institution(s)
- Title
- Ansichten von A Factor of Evolution in Triangel Studio
- Title (en)
- Views of A Factor of Evolution in Triangle Studio
- Copyright Notice
- Tina Jander; photo: Víctor Fancelli Capdevila
- Legal protection / Licence
- Permission usage HfG
- Media creator
- Relationship/function
- Alternative text (de)
- Ansichten von A Factor of Evolution in Triangel Studio
- Alternative text (en)
- Views of A Factor of Evolution in Triangle Studio
- Imported on
- 10.06.2024
- Parent sets
- 1