Die Kehrseite der Erinnerungskultur

 

Sibling sets (132)Show all relations

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132 Items

  • Page 1 of 11
      Picture: MAS

      MAS

      Ausstellungsdesign und Szenografie

          Picture: Love over Taste II

          Love over Taste II

          Jessica Kessler

              Picture: Letters of Dissent

              Letters of Dissent

              Bob Reinert

                  Picture: LET ME SEE (c) THE SUN

                  LET ME SEE (c) THE SUN

                  Tim Bartel

                      Picture: Kunst in der Praxis

                      Kunst in der Praxis

                      Hanna Jurisch

                          Picture: Konstruktive Unterbrechungen

                          Konstruktive Unterbrechungen

                          Seraphine Meya

                              Picture: Known Unknown

                              Known Unknown

                              Chelsea Kim; Josephine Leicht

                                  Picture: KLOTZSTUHL

                                  KLOTZSTUHL

                                  Melanie Gloria Wisser

                                      Picture: Klotz am Apparat

                                      Klotz am Apparat

                                      Víctor Fancelli Capdevila; Christian Haardt

                                          Picture: I used to think that I was made of Stone

                                          I used to think that I was made of Stone

                                          Hanna Franke

                                              Picture: It's okay now

                                              It's okay now

                                              Isabelle Konrad; Gloria Müller

                                                  Picture: „Infanterie, Cavallerie, Artillerie“ statt „Liberté, égalite, fraternité“: Das Komische als Kampfmittel in Karl Marx' "Der achtzehnte Brumaire des Louis Bonaparte"

                                                  „Infanterie, Cavallerie, Artillerie“ statt „Liberté, égalite, fraternité“: Das Komische als Kampfmittel in Karl Marx' "Der achtzehnte Brumaire des Louis Bonaparte"

                                                  Eva Scholl