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„Infanterie, Cavallerie, Artillerie“ statt „Liberté, égalite, fraternité“: Das Komische als Kampfmittel in Karl Marx' "Der achtzehnte Brumaire des Louis Bonaparte"

 

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156 Items

  • Page 1 of 13
      Picture: Weibelmaschine

      Weibelmaschine

      Frank Bierlein; Marco Zampella; Moph Zielke

          Picture: Modern Salon

          Modern Salon

          Neele Seidel

              Picture: Patterns in Perception

              Patterns in Perception

              Isabelle Schneider

                  Picture: As beginning is to end

                  As beginning is to end

                  Paula Klotzki

                      Picture: wie (wir) erinnern

                      wie (wir) erinnern

                      Ines Bohnert

                          Picture: MS Guilty Pleasure

                          MS Guilty Pleasure

                          Patricia Capalija

                              Picture: The Violent Container

                              The Violent Container

                              Lena Breitmoser

                                  Picture: Multiplizierte Objekte als Form von Selbstorganisation

                                  Multiplizierte Objekte als Form von Selbstorganisation

                                  Christian Platz

                                      Picture: Writing the History Of the Future

                                      Writing the History Of the Future

                                      Anastasiia Bergalevich

                                          Picture: NVSHU - Nüshu

                                          NVSHU - Nüshu

                                          Yijing Zhang

                                              Picture: DORMIVEGLIA

                                              DORMIVEGLIA

                                              Francesca-Romana Audretsch

                                                  Picture: Leaving on a High Note

                                                  Leaving on a High Note

                                                  Nils Bergmann

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