The Arbiter

Anna Manankina

Titel	The Arbiter
Titel (en)	The Arbiter
Untertitel	Two-channel video installation
Autor/in	Anna Manankina
Beschreibung	In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
Beschreibung (en)	THE (A)RB(I)TER In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
Kategorie	Installation Bewegtbild
Schlagworte	Zensur KI Malerei Kunstgeschichte
Projektleiter/in	Charlotte Eifler
Material	2-Kanal-Video
Abmessungen	1920x1080
Dauer	00:02:33
Auszeichnungen und Preise	Förderverein 2026: Nominiert Förderverein 2026: Preisträger*in