Anna Manankina
| Name | Anna Manankina |
15 Inhalte
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The Arbiter_Manankina
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- The Arbiter_Manankina
- Autor/in
- Titel
- The Arbiter_Manankina
- Urheberrechtshinweis
- © Anna Manankina
- Rechtsschutz/Lizenz
- Projektleiter/in
- Lehrveranstaltung
- Importiert am
- 26.06.2026
- Übergeordnete Sets
- 1
The Arbiter, video excerpt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- The Arbiter, video excerpt
- Autor/in
- Titel
- The Arbiter, video excerpt
- Urheberrechtshinweis
- © Anna Manankina
- Rechtsschutz/Lizenz
- Medien-Beschreibung (en)
- In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
- Projektleiter/in
- Lehrveranstaltung
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1
The Arbiter, video excerpt
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Titel
- The Arbiter, video excerpt
- Autor/in
- Titel
- The Arbiter, video excerpt
- Urheberrechtshinweis
- © Anna Manankina
- Rechtsschutz/Lizenz
- Medien-Beschreibung
- In this project, I examine how the male gaze is built within AI systems content moderation , where censorship and sexualization coexist. Drawing from Anselm Feuerbach’s 1852 painting Hafis vor der Schenke, depicting the poet Hafez and two silent women, the work poses the question: if freed from spectatorship, what voices might they reveal? This two-channel video installation reimagines the scene through AI video generation and live narration. Referencing Valerie Solanas’s S.C.U.M. Manifesto, it reflects on how Gen-AI, governed by moral bias, mirrors a patriarchal worldview - still defining what is visible and what must remain unseen.
- Projektleiter/in
- Lehrveranstaltung
- Importiert am
- 28.06.2026
- Übergeordnete Sets
- 1