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    "Role": "https://madek.hfg-karlsruhe.de/roles/",
    "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#",
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    "madek_rights": "https://madek.hfg-karlsruhe.de/vocabulary/rights:"
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        "@value": "Weiß der Wind",
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      },
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        "@value": "The Wind Only Knows",
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        "@value": "© Philipp Diettrich",
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        "@value": "Weiß der Wind\r\n\r\n2013\r\nDocumentary\r\nR: Phillip Dietrich\r\nS&W, 5.1,DCP\r\n80.00 min  \r\nSprache: Deutsch\r\nUntertitel: Englisch
\r\n\r\nDer Takt trägt den Blick, der Wind schleicht sich ein.
Aber Morgen fängt man an sich damit zu versöhnen.
Ertüchtigung und dicke Mauern sollen die Versprechen
halten und die Familie zusammen. Der Tag wird zerlegt,
die Bewegungen getrimmt. Gesprochen wird kaum.\r\n\r\nDirector: Philipp Diettrich\r\nEditor: Lukas Sander\r\nSound Design: Cornelia Böhm\r\n\r\nFestivals\r\n2013 Visions du Réel, Nyon\r\n2014 Hamburger Dokumentarfilmwoche, Hamburg\r\n2014 Berliner Dokumentarfilmwoche, Berlin\r\n2014 Dokka, Karlsruhe\r\n\r\nAwards\r\n2014 Dokka-Preis für die beste dokumentarische Arbeit\r\n\r\n\"Wo befinden wir uns? Wir befinden uns nah an einem Körper, 
nah an einer Landschaft. Aber auch nah bei einer Familie? In „Weiß der Wind“ 
von Philipp Diettrich wird das Verhältnis von Orten und Personen, aber auch Bildern
und Tönen Augen öffnend neu geordnet. Es geht um eine Familie, 
die nicht gemeinsam im Bild zu sehen ist. Es geht um eine Familie, 
die nicht miteinander zu sprechen scheint. Und dazwischen knallt es.\r\nFormale Stringenz und fragmentarische Darstellung können hier 
nebeneinander bestehen. Ein Film als Zustand, der keine Kausalitäten 
herstellt. Die Kamera von Melanie Jilg schafft präzise Schwarz-Weiß-Bilder, 
die nicht überwältigen wollen, und doch nahe kommen. Eine kühle Ästhetik, 
die trotzdem in der Lage ist, zärtliche und poetische Momente zu schaffen.\"
(Jurybegründung DOKKA Karlsruhe 2014 - Beste dokumentarische Arbeit)\r\n\r\nhttps://dafilms.com/film/9103-the-wind-only-knows",
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        "@value": "The Wind Only Knows\r\n\r\n2013\r\nDocumentary\r\nDirector: Philipp Diettrich\r\nB&W, 5.1, DCP\r\n80.00 min\r\nLanguage: German\r\nSubtitles: English\r\n\r\nThe rhythm carries the gaze, the wind sneaks in.\r\nBut tomorrow, one begins to make peace with it.\r\nExercise and thick walls are meant to keep promises\r\nand hold the family together. The day is dissected,\r\nmovements are trimmed. Hardly a word is spoken.\r\n\r\nDirector: Philipp Diettrich\r\nEditor: Lukas Sander\r\nSound Design: Cornelia Böhm\r\n\r\nFestivals\r\n2013 Visions du Réel, Nyon\r\n2014 Hamburger Dokumentarfilmwoche, Hamburg\r\n2014 Berliner Dokumentarfilmwoche, Berlin\r\n2014 Dokka, Karlsruhe\r\n\r\nAwards\r\n2014 Dokka Prize for Best Documentary Work\r\n\r\n*\"Where are we? We are close to a body, close to a landscape.\r\nBut are we also close to a family? In The Wind Only Knows by Philipp Diettrich,\r\nthe relationship between places and people, as well as between images and sounds,\r\nis rearranged in an eye-opening way. It is about a family that is never seen together in the frame.\r\nIt is about a family that does not seem to speak to each other. And in between, things explode.\r\n\r\nFormal rigor and fragmentary representation coexist here.\r\nA film as a state of being, one that does not establish causalities.\r\nMelanie Jilg’s camera creates precise black-and-white images\r\nthat do not seek to overwhelm but still draw near. A cool aesthetic\r\nthat is nonetheless capable of creating tender and poetic moments.\"*\r\n(Jury Statement, DOKKA Karlsruhe 2014 – Best Documentary Work)\r\n\r\nhttps://dafilms.com/film/9103-the-wind-only-knows",
        "@type": "madek:Text"
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      ],
      "rdfs:comment": [
        {
          "@language": "de",
          "@value": "Using alt text properly:"
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        {
          "@language": "en",
          "@value": "Using alt text properly:"
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      ]
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      "rdfs:comment": [
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          "@value": "Using alt text properly:"
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