{ "@context": { "@base": "https://madek.hfg-karlsruhe.de/", "madek": "https://madek.hfg-karlsruhe.de/ns#", "madek_system": "https://madek.hfg-karlsruhe.de/vocabulary/madek_system:", "Keyword": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/", "Role": "https://madek.hfg-karlsruhe.de/roles/", "rdf": "http://www.w3.org/1999/02/22-rdf-syntax-ns#", "rdfs": "http://www.w3.org/2000/01/rdf-schema#", "owl": "http://www.w3.org/2002/07/owl#", "madek_core": "https://madek.hfg-karlsruhe.de/vocabulary/madek_core:", "madek_media_object": "https://madek.hfg-karlsruhe.de/vocabulary/media_object:", "madek_institution": "https://madek.hfg-karlsruhe.de/vocabulary/institution:", "madek_creative_work": "https://madek.hfg-karlsruhe.de/vocabulary/creative_work:", "madek_rights": "https://madek.hfg-karlsruhe.de/vocabulary/rights:" }, "@graph": [ { "@id": "https://madek.hfg-karlsruhe.de/entries/63e6f1ce-c498-4b2f-88c0-af3b01411282", "@type": "madek:MediaEntry", "madek_core:subtitle": { "@value": "Stanisław Zamecznik", "@type": "madek:Text" }, "madek_core:copyright_notice": { "@value": "Ausstellungsdesign und Szenografie, Staatliche Hochschule für Gestaltung; Grafik: Johannes Hucht, Yannick Nuss; Cover: Bas Princen & Office KGDVS", "@type": "madek:Text" }, "madek_core:keywords": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/faf198b0-80ec-449a-94fa-142c083d8c02" }, "madek_creative_work:language": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/ffac649a-5824-4167-b17c-9f6c3aad142e" }, "madek_creative_work:dimension": { "@value": "DIN A4", "@type": "madek:Text" }, "madek_creative_work:city": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/be47acae-7e98-44ab-8944-90215fc463c9" }, "madek_creative_work:location_institution": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/a71d60f1-0f2c-4abe-be21-8c4402f9ac4e" }, "madek_creative_work:country": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/937c0389-2d68-4fae-8c83-70cc74d02d6b" }, "madek_institution:vvz": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/30f94f0e-0d53-4547-b4c4-331be32444ea" }, "madek_institution:project_leader": { "@id": "https://madek.hfg-karlsruhe.de/people/26fbbbe4-380b-49e2-a7d5-011d7659634a" }, "madek_institution:field_of_study": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/fab34d33-c971-4552-92d0-c6e09a781c74" }, "madek_media_object:project-title": { "@value": "Materialien für Ausstellungsdesign und Szenografie 002", "@type": "madek:Text" }, "madek_core:title": { "@value": "MAS 002 ", "@type": "madek:Text" }, "madek_rights:licence": { "@id": "https://madek.hfg-karlsruhe.de/vocabulary/keyword/dd18c865-b09c-4b67-86f4-6b7e35933a0a" }, "madek_creative_work:description_en": { "@value": "The second edition of \"Materials for Exhibition Design & Scenography\" presents the work of Polish architect Stanisław Zamecznik (1909-71), who worked almost exclusively as an exhibition designer and thus formulated an important position in Polish post-war modernism. As an exhibition designer, he worked on the fringes of the architectural profession and knew how to use the freedom found there for radical design experiments. Several important discourses of the post-war period overlap in Zamecznik's work: the questioning of functionalism in architecture, the opening up to freer forms and people's everyday practices, the merging of sculpture and painting into spatial installations and the associated active role of the viewer.", "@type": "madek:Text" }, "madek_core:authors": { "@id": "https://madek.hfg-karlsruhe.de/people/d95e4363-6982-471f-aa17-01062a5fbd14" }, "madek_core:description": { "@value": "Die zweite Ausgabe von ‚Materialien für Ausstellungsdesign & Szenografie’ zeigt das Werk des polnischen Architekten Stanisław Zamecznik (1909-71), der fast ausschließlich als Ausstellungsgestalter gearbeitet hat und damit eine wichtige Position in der polnischen Nachkriegsmoderne formulierte. Als Ausstellungsdesigner bewegte er sich am Rand der Architekturprofession und wusste die dort auffindbaren Freiräume für radikale gestalterische Experimente zu nutzen. Im Werk von Zamecznik überschneiden sich einige wichtige Diskurse der Nachkriegszeit: Die Infragestellung des Funktionalismus in der Architektur, die Öffnung zu freieren Formen und Alltagspraxen der Menschen, die Verschmelzung von Skulptur und Malerei zu Rauminstallationen und die damit verbundene aktive Rolle der Betrachter.", "@type": "madek:Text" }, "madek_creative_work:remark": { "@value": "Heft 2: Stanisław Zamecznik\r\n\r\n76 Seiten\r\n527 Abb., s/w.\r\n\r\nCover: Bas Princen & Office KGDVS, „Wall Pavilion“, Installation auf der Architekturbiennale Shenzhen, 2012. 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Achte bitte darauf, sinnvolle Begriffe zu vergeben!" }, { "@language": "en", "@value": "You can expand the list by typing in a new term, pressing \"Enter\" and saving. Your new term is then included in the list and accessible to all users. 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